In Transit: Burundi

airplaneSo I am navigating multiple suitcases and carry-ons, multiple airports and flights and with two children flanking me. I’ll be trying to keep it all in the original and upright position… because the Nikondeha Trio will be in transit for 36+ hours!

The good news – my kids love to travel. They love the backpacks I load with surprise snacks and activities (Mad Libs are a first this time!). They enjoy the movies and games onboard the international flights. And, God bless ‘em, they love plane food. They’re reliably good travelers, so I shouldn’t worry, but as a mama I think I always hold my breath a bit, trying to keep us all together as we taxi between terminals, locate our gate and settle into our seats (three times over).

Today’s our annual trek to Burundi, place of their birth and my second home. We look forward to a summer filled with family, pineapple ripened to sweet perfection, drummers beating throughout the city like a heartbeat and days soaked in sunlight from beginning to end. There will be birdsong in the morning, afternoons on the shore of Lake Tanganyika, evenings out on the porch with friends where the laughter will make our bellies sore with goodness. The call to prayer will punctuate the day (and mosquitoes the night). The colors, sounds and smells will all remind me I’m on red soil.

Claude and I will be close enough to hold hands. We’ll host a bevy of friends from Canada, Australia, South Africa, Luxembourg and America. My in-laws will stay with us for part of the summer. We’ll travel to Matara and dance, then to Bubanza and drink from fresh wells. We’ll be in and out of Kazoza Community Bank, watching people access banking services and grow the local economy. I imagine all the great conversations with Claude as we host another summer full of good news.

My Burundian summers are also times when I dive deep into books, ideas, words. Plenty of books accompany me to Bujumbura, and there’s a reading chair awaiting me. This is when I read commentaries from cover to cover, tackle tomes like The Theology of Liberation and meet new authors like Ched Myers, Hans Urs Von Balthasar, Reza Aslan. There will be familiar friends like Walter Brueggemann, John Dominic Crossan, Natalie Goldberg. There will be the poetry of Rumi and Wendell Berry and Mary Karr. This space is generous to me each summer, so fertile for my mind and gently on my soul. I long for these quiet hours hidden away in my Burundian cloister among the palm trees and birds of paradise. Sometimes Burundi does beckon…

We’re in transit now, but anticipate our arrival. My hewe awaits – and after hours crossing the globe there’s nothing more satisfying to my soul than his smile and that first embrace.

NOTE: TransitLounge tribe – I will be amid Amahoro Africa Gathering the last week of May. Caris Adel has graciously offered to host the link-up for Colossians Remixed over at her place, so watch for tweets or check out her site!

Week With Walter: Closing Ceremony

week with walter_1What a privilege it’s been to host this week, this time of reflecting on The Prophetic Imagination, on the words of Walter Brueggemann and on deeper things that trouble us and give us hope.

Here are some highlights…

Single Sentences:

Do our poets speak in 140 character tweets? – Russ Graeff

I had to make a conscious decision to surround myself with the very pathos our empire pretends isn’t a reality. — D.L. Mayfield

We are at the same time both hopeful and heartbroken over the state of the world, and still, all we know how to do is weep. — Luke Harms

Something struck a chord in a room of unreligious artists. They identified with the fight to imagine an alternative to the dominate narratives of the day… — Jenny Flannagan

The un-tethered-ness of God is precisely what gives God the ability to anchor near to us. — Emily Maynard

I so appreciate each friend who not only read with us, but responded and lead un into deeper conversation and reflection with their offering. These friends served us a feast.

Best Tweets:

Writing about God and Twilight and Brueggemann for @knikondeha #transitlounge on Friday. My apologies in advance. (@emelina)

Dang, @d_l_mayfield can write. Love her. “The Prophet-as-a-hot-mess situation.” (@jrgoudeau)

But my favorite, without question:

@knikondeha what are you DOING getting us to read this WB book?? Are you trying to stir up a revolution or something??!;) (@JoannaCDobson)

We did tweet more about this book than any others thus far… lots of quotes, comments, retweets and favorites. But these few really stood out, because humor does carry the day!

Giveaway:

And with a final drum roll… our week will come to an end. But first let me thank all of you for reading and then engaging with one another in content-rich conversations. I noticed how many of you traveled from blog to blog, talking to each other, and it made my heart sing! I hope you made some new connections with Brueggemann’s ideas, but also with one another. I hope this is only the beginning of some friendships and new prophetic imaginings.

But after the drawing the winner of The Collected Sermons of Walter Brueggemann is Jamie Wright Bagley!

Let’s grieve so that we may find our prophetic voice and move toward hope together with energy, compassion and love.

 

 

 

Week With Walter: Emily Maynard

There’s just something about Emily. We met through a mutual friend on Twitter – really. But the first time I read her words I recognized the shine – she’s a gem. Emily braids together intelligent commentary, unvarnished candor and a huge hunk of humor into her reflections. She feels like your best friend after one read, drawing you close as she tells her secrets out loud, making you feel less alone. Even talking about Walter Brueggemann – she got me laughing, letting my guard down again…

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Sometimes, on those rare days when spiritual practice turns into spiritual presence, I sense that God is with me.

And on those even rarer occasions when we linger together, it’s in the meadow from Twilight.

Yeah. For real. Twilight.

I know.

Of course there’s a romantic meadow in Twilight. Who hasn’t imagined lying in a field of flowers with their Love, unhindered by the reality of uneven ground and biting insects. Who hasn’t dreamed up a beautiful place, secluded by towering pine trees, to shelter and reconnect with wonder. I understand why Stephenie Meyer wrote her characters into that idyllic scene. It’s laughably terrible, but I understand it.

What I didn’t understand for a long time is why God meets me there. I don’t have weird romantic vampire fantasies about Jesus, but we still end up in that meadow.  It’s ridiculous.

It wasn’t always like this. My faith used to make a lot more sense.

I grew up a Baptist and as Reformed as they come. I was taught that God was found mostly in the right belief that led to the right, dutiful practice. Imagination, and even Justice, was the realm of crazy Pentecostals, liberal pretenders, and Christians who backslid carelessly into the tepid waters of New Age spirituality. Dreaming was the thing of The World, but thinking was the stuff of the people who really took God seriously.

And I did.

I wanted to take God seriously, and I’m naturally inclined towards the study, the standards, and the systematic theologies. So I worked at those things, and I was good at them. Instead of Vampire Novels, I threw my teenage self into apologetics and proofs of God and correct doctrinal statements and all the American public policies that God himself endorsed. I shunned emotion and built my life out of logic. The systems were set and locked into place, of course. My parents’ generation had figured them out, and my generation was going to embrace their work and make sure we got it done for God.

There was very little left to discover, but much to obey.

But three years ago, in a fit of spiritual exhaustion, I gave up. I told God that I was done trying to love a taskmaster and critical, note-taking thought-voyeur. I couldn’t live in a world where I proclaimed that God was good, but couldn’t find any goodness in the theology around him.

I was terrified. So I threw in an asterisk: if God wanted to show up for me differently, or prove that she was different than I’d been taught, I’d listen. God, if you’re good, then show up for me. I prayed over and over.

In that bold and final act, something old died and something new began to grow.

This new faith was centered deeper in me, inviting back all the pieces of myself that I’d tried to remove. It engages my imagination, emotions, brain, mouth, and my hands.

This wild new God is consistently surprising me.

Walter Brueggemann, in The Prophetic Imagination, sets up this idea of a surprising, free God. As I blazed through the book over Easter weekend last month, I kept scribbling my own yes in the margins and circling the word free. I have experienced so much of a free God over the past few years.

For Brueggemann, this free God shows up as a contrary force to the settled and satiated social order of Egypt. The task of the Prophet, Brueggemann says, is to imagine and incite God’s alternative society where justice and compassion reign instead of placid security and control. We celebrate and energize the work that God is already doing to make things new. We do this as we marvel and wonder and live out this new reality.

This imagination and action is essential to the Kingdom of God, where we will not “have a politics of justice and compassion unless we have a religion of God’s freedom” (17). God, in wildness and freedom, shows up to invite wildness and freedom and life in us.

I keep circling around the idea of God as the “Lord of freedom.” I grew up so concerned with a God who was predictable and would act according to my expectations and behaviors. I thought I knew a God who was glorious, but could be captured in a certain set of doctrines and politics.

A free God cannot be captured like that. A worshipper of a free God trusts in something bigger than predictable outcomes. Bruggemann says of these people: “We have not yet finally given up on the promise spoken over us by the God who is free enough to keep his promises” (45). A God who is free, but shows up to show us freedom.

Understanding God as free, and myself as free in God’s image, is absolutely radical. It brings me into the kind of wonder that I can only call worship. It makes me sing a bold song and makes my heart crave Justice.

The Lord of Freedom is autonomous, dynamic, self-defining, advocating, able to attach, and capable of relating individually and corporately. That blows my mind. The un-tethered-ness of God is precisely what gives God the ability to anchor near to us.

But it is also a dangerous thing to relate freely to a free God. Sometimes you end up in unexpected places.

Sometimes, when I finally stop rushing around my days and I curl up on my bed and invite myself near to God, I imagine a meadow surrounded by trees and filled with flowers. It’s absent of vampires and vampire wannabes, but I always recognize it.

Twilight.

Ridiculous.

Free.

For a while I raised my eyebrows. It seemed so undignified and petty to engage my spirituality in the most vapid sort of literary images. Are you kidding me, God? I asked on multiple occasions. Why here? You’ve read Twilight and agree that it’s terrible, right?

The answer I got again and again taught me more about God than a lifetime of sitting through three hour church services: Because it’s funny and you like it.

That answer is simple, silly, engaging, and so darn personal. Of course. Of course a free God is like that. Because it’s funny and you like it.

Only a wildly free God could be that funny. Laughter, the deep kind that doesn’t slow down until your stomach hurts and you can’t breathe and snot is running out your nose, is an act of letting go. The best humor gives up control, removes structural barriers, and clears the rank airs of social formality. It’s surprising and equalizing. Laughter breaks down barriers and gives up power instead of trying to take it. It celebrates the freedom that a safe, sedated faith could never offer.

Of course a free God is like that with me, when we sit together.

 

Emily 1Emily Maynard is an outgoing introvert from Portland, Oregon. She is a big picture thinker who gets excited about questioning, exploring, and watching people find their voices.

She writes for Prodigal Magazine, A Deeper Story, and blogs at Emily Is Speaking Up. She is not the Emily Maynard from The Bachelorette.

You can follow her nonsense and truth on Twitter: @emelina and Instagram: @emelinapdx

 

It’s not too late to link-up with your reflection on The Prophetic Imagination! Come on over HERE and share with us…

And remember that today is the final day to be eligible for our giveaway: The Collected Sermons of Walter Brueggemann! So link up. Comment on any of the posts – on this website or any of our friends who linked up their responses. Each comment just increases your chance of winning…

Week With Walter: Jenny Flannagan

Jenny and I met in London. She hosted conversations with TearFund, an NGO based in the UK, and we were invited as the leaders of Amahoro Africa. Only weeks later we’d meet up in Mombasa, Kenya for our annual Amahoro Gathering. In our times together I learned Jenny not only served TearFund, but was also a talented singer, actress and writer. She’s passionate about her neighborhood, practicing radical and gracious hospitality. We share a penchant for incarnation, as evidenced in her post on Inspiration & Incarnation. I just knew we’d connect over (prophetic) imagination, too! So how does an artist, activist and  neighbor encounter this book?

 

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“What a commission it is to express a future that none think imaginable!”

Walter Brueggemann frightens me.

I had never read a Walter Brueggemann book all the way through until this month; I had never dared. Finally Comes the Poet made its way into my sticky but innocent grasp some years ago and I was transfixed, exposed, entranced by its invitation.  And utterly terrified.  My hands shaking, I put it down again, two chapters in.

[“We are fearful and ashamed of the future we have chosen.”]

And now, years after buying The Prophetic Imagination for both my husband and my best mate – who both seemed to me to be in possession of that same imagination I feared I lacked – I finally turned to it myself.

Even in its early pages I heard that same, familiar song from before – a soul-deep, otherworldly chorus that gave shape to my clouded grief and my barely disguised longings.

“Yes!” I cry, from the depths of all I am, “Yes, I want to sing that song, I want to pour my whole being into its melody and sing it loud.  This is the purpose for which I was created.”  And then I weep for the slightness and inadequacy of my thin strains.

I am a singer and I know when my voice cannot do a song justice.  I am a writer and I know when my words are only dancing on the surface.

In this past month as I have inhaled Brueggemann’s words on trains and in late night snatches, I have also sat in rehearsal rooms and turned over the question of creating a new piece of theatre with our company – a piece of theatre which I must write.  What is courage, we asked, and what kind of courage leads to transformation?  I spoke from what I had read, from what was pulsing in my veins, from my desperation to be able to imagine another way to live and to be – or rather to remember it.

And I heard an unexpected echo back.

Something struck a chord in a room of unreligious artists.  They identified with the fight to imagine an alternative to the dominant narratives of our day – capitalism, consumerism, systematic inequality – and to give it a voice, a melody, an incarnation.  Have our imaginations been bought-out or is there still the possibility of a different song?

Artists often live on the edges of the empire, alive to its injustices and limitations, its blind-spots and ludicrous prejudices.  Brueggemann talks about how Jesus’ disciples are able to move towards the new possibilities Jesus embodies because they are already, by virtue of their position (or non-position) in society, “disengaged from the old ordering that is under criticism…denied riches…[and] have ended their fascination with that other ordering.”  This could describe many of my neighbours in London’s inner-city estates, but in other ways it also describes artists.  And for the artists there comes a calling to create from out of that knowing.

That is why, I realise, I am an artist.  It is the deep-down-knowing in my soul that something true must be sung out – the agony, the sham, the hope.

It terrifies me still because it matters so desperately, I believe, and I know too well the truth of Brueggemann’s confession – “I discover that I am as bourgeois and obdurate as any to whom I might minister.”  Too much of me still bears a deep allegiance to “the world of competence and competition”; I find myself competing daily.

And wrestling with it all, still.  “Our ministry will always be practised through our own conflicted selves,” writes Brueggemann.  How can this hope, this other story be somehow known to everyone on the deepest level, and yet forgotten, hidden unrecognisable?  Those “very hopes and yearnings…have been denied so long and suppressed so deeply that we no longer know they are there.”  And they take form and shape in a someone, a specific someone, the wrong someone – too quickly written off and dismissed by all of us who think we know the stories already.

This is my challenge, my calling, the one I must not shirk off.  There is a song that must be sung, and sung in hope that others will remember it too.

 

jennyJenny Flannagan is a writer, actress and film-maker.  Basically, she loves telling stories.  She has worked for Tearfund (a UK Christian development charity) for the past 8 years, and travelled a whole lot. She is also a founding member of the theatre company The Ruby Dolls. She lives on a council estate in inner-city London with her husband Andy, where they are trying to love their neighbours and be ‘downwardly mobile’.  They are part of The Well Community Church and lead a fledgling missional community.

Blog: jennyfromtheblock // Twitter: @jennyflannagan

<<You can still link up with your response to The Prophetic Imagination HERE.>>

Please read and comment on Jenny’s post, as well as those offered by Russ Graeff, D.L. Mayfield and Luke Harms. And don’t forget to read the post on the link up – I’ve read them all and they are wonderful reflections worth of our interaction! Also… there’s a giveaway in play. Comment on any of the above posts and be eligible to win a copy of WB sermons!

Week With Walter: Luke Harms

Luke is one of my Deeper Story friends. His story intrigued me, as a vet turned peacemaker. His candor and thoughtfulness always kept me reading. So through storytelling, theological reflection and twitter exchanges with our tribe, I came to appreciate how Luke dares to wrestle with the hard things. And what better friend to invite to respond to The Prophetic Imagination?

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I’m telling this story in two parts. The first I’ll be sharing here today with Kelley, and the second is currently on my blog. I hope you’ll stick around for the whole thing.

“Jesus knew what we numb ones must always learn again: (a) that weeping must be real because endings are real; and (b) that weeping permits newness. His weeping permits the kingdom to come. Such weeping is a radical criticism, a fearful dismantling because it means the end of all machismo, weeping is something kings rarely do without losing their thrones. Yet the loss of thrones is precisely what is called for in radical criticism.”

I was combing through all of my notes on Walter Brueggeman’s The Prophetic Imagination when I came across this highlighted passage again and read it over. Then I read it again. And again. And suddenly I realized that this one passage is a reflection of my own experience in a profound way, both tragic and beautiful.

But I suppose I’m getting ahead of myself.

For this to make any sense, you’d have to know a bit about me. Some of you may, some of you may not. Also, you probably need to know a bit about Brueggemann and the project he is pursuing in Prophetic Imagination. I’ll start with the latter, and weave some of the former in throughout, so I hope you’ll stick with me.

In the text, Brueggemann is concerned with the role of the prophet, both in the Scriptures and in the context of our modern culture. His thesis is that the task of prophetic ministry is to nurture, nourish, and evoke a consciousness and perception alternative to the consciousness and perception of the dominant culture [or "royal consciousness"] around us.The first task of the prophet then, is to shake us from the “numbness” that the royal consciousness lulls us into. He says in the introduction to the second edition “numbness robs us of our capability for humanity.” Unfortunately, that numbness is something with which I am intimately familiar, but I’ll get to that a bit later.

Now, the nature of the royal consciousness is that it is the end result of a process of enculturation. So all of us, to one degree or another, participate in the perpetuation of the royal consciousness, whether we do so wittingly or unwittingly. It is the context within which we conceptualize our entire world. It is then, perhaps unsurprisingly, difficult to shake loose the bondage of this royal consciousness and the crushing numbness it carries with it. Brueggemann’s answer – typified in the witness of the weeping prophet Jeremiah, Second Isaiah and Christ – lies in grieving. He writes, It is the task of prophetic ministry and imagination to bring people to engage their experiences of suffering and death. For some, that may seem like a somewhat jarring statement, but essentially Brueggemann’s point is that we are, in fact, dead already, that we have allowed the royal consciousness to bind us so tightly that we have lost the ability to feel anything real. Only a confrontation with the horror of the oppression, injustice and death that are the result of the power of the royal consciousness is sufficient to dislodge us from out apathy, and it is the prophet’s role, according to Brueggemann, to give voice to that confrontation.

Ultimately, the story I’m trying to tell here is about that confrontation in my own life, my own ongoing and ever-unfolding journey from numbness, to grief, to an absurd-and-ever-so-fragile hope. It’s a story that I’ve been trying to tell for a long time, but I simply haven’t had the frame of reference to even understand it, let alone the words to tell it. I’ve even read Prophetic Imagination before (twice!), but for some reason, this time through it resonated with me in a way it never has before. And when I say “resonated,” I don’t mean like a tuning fork or a violin string, I mean it more like how the seismic waves of earthquakes can resonate with the oscillations of particular buildings and shake them into dust, leaving nothing standing.

Earlier, I spoke of the numbness that results from the royal consciousness. Brueggemann refers to it specifically as a numbness toward pain and death, the end results of royal oppression and injustice in the world. As a former soldier, I was a symbol of that numbness. I was impervious to and even indignant toward the pain and suffering that I witnessed and participated in as an enforcer of the royal consciousness. Violence was my primary mode of interaction with the world and those in it, and I saw nothing wrong with that. And in fact, the imperial religion of the United States fully condoned (and in many ways enthusiastically supported) my crusade for the sake of its own security, and I returned the favor. Where imperial religion was interested in, as Brueggemann puts it, the establishment of a controlled, static religion in which God and his temple have become part of the royal landscape, in which the sovereignty of God is fully subordinated to the purpose of the king,” I was happy to play my part in maintaining the status quo at all costs, whenever and wherever it was challenged.

But somewhere, something changed.

What’s really important here, I think, is that this *in and of itself* is a rejection and refutation of the royal consciousness, which constantly screams in our ears:

“THIS IS HOW IT HAS ALWAYS BEEN, AND THIS IS HOW IT WILL ALWAYS BE.”

I heard that refrain constantly and yet…

I’m different.

In speaking of Christ’s continuation of the prophetic tradition, Brueggemann states, Jesus of Nazareth is the fulfillment and quintessence of the prophetic tradition. He brought to public expression the newness given by God. And as absurd as this hope sounds:

That same capacity for newness, I believe, that was manifest in the incarnation of God in Christ has-and-is doing a redemptive work both in-and-through me, in spite of the lies the royal consciousness would have me believe.

But this redemption comes at a cost. As Brueggemann highlights, …the guardians and profiteers of the present stability are acutely sensitive to any change that may question or challenge the present arrangement. Very early Jesus is correctly perceived as a clear and present danger to that order, and this is the problem with the promissory newness of the gospel: it never promises without threatening, it never begins without ending something, it never gives gifts without also assessing harsh costs. In Christ, the cost was death on a cross, without which He (and we) never would have experienced the radical dismantling of the universe that came with the Resurrection. For me, it was the complete and utter destruction of an identity that had been wholly formed in the crucible of the royal consciousness. If you’ll forgive an indulgent pop culture reference, as Tyler Durden said in Chuck Palahniuk’s Fight Club, “Only after disaster can we be resurrected. It’s only after you’ve lost everything that you’re free to do anything. Nothing is static, everything is evolving, everything is falling apart.”

And so, I was undone. I am undone.

The numbness that has been my veil of protection against the horrors of injustice and oppression was torn away like a bandage from a not-yet-healed wound, and the pain often seems unbearable. At first, everywhere I looked I was confronted with my own enthusiastic participation in and benefit from the work of empire. From as close by as my own family and my own neighborhood to as far away as the nameless, faceless victims of Western military and economic hegemony in the global south, I saw the consequences of my numbness and apathy. I wept for no reason and for every reason. It was as if some floodgate had been opened, and in stark contrast to the numbness that I had felt (or perhaps more accurately, had not felt) for so long, I was like a burn victim whose every nerve ending was raw and exposed, with even the faintest movement of air causing the most exquisite anguish.

But as Brueggemann puts it, If we are to understand prophetic criticism, we must see that its characteristic idiom is anguish and not anger.”

As I was processing all of this through this week with Kelley and some others who are participating in the conversation about The Prophetic Imagination, we decided that weeping wasn’t a strong enough word. Even groaning or wailing doesn’t quite capture the depth of this pain. It is as if in these moments we are hearing the softest whisper of or catching the faintest glimpse of the pain of a God who desires to be reconciled to Creation. Even that glimmer though is often enough to take us to that dark place of suffering and grief, where the Old Way is violently dismantled and put to death to make way for the newness of a God who still very much cares about and participates in the act of Creation.

And we’re made new, as all things will be made new. But like babies fresh from the womb, often all we know how to do is weep. We grieve both the passing and the persistence of the Old Way. We grieve the injustice and oppression inherent in the royal consciousness we’ve broken from. We grieve the death of certainty. We grieve the loss of ignorance. We grieve the absurdity of hope. We are at the same time both hopeful and heartbroken over the state of the world, and still, all we know how to do is weep, but thanks be to Christ, Tears are a way of solidarity in pain when no other form of solidarity remains.

More often than not, they’re all I have. So I embrace them.

One of the critical tasks of the prophet, according to Brueggemann, is to provide symbols that confront the horror of experience that leads to denial and that are adequate to contradict a situation of hopelessness.” As an enforcer of the will of the royal consciousness, I was a symbol of both its power and its hopelessness. My hope is that in embracing this grief-as-radical-prophetic-criticism, I might become a symbol of the newness God wants for creation. That I can have hope is a testament to the power of that capacity for newness.

So I hope in the midst of grief. It’s absurd and idealistic and naïve and all of those things that the royal consciousness tells me it is.

But it’s all I have.

And I’ll take the absurd hope of the Kingdom of God over the despair and hopelessness of the royal consciousness any day.

<< Remember to follow over to Luke’s place HERE to read Part Two! >>

luke

Luke is an ENFP who hates writing bio’s in the 3rd person. He’s an analyst to pay the bills (a constant challenge for his non-linear brain), but his real passions revolve around being married to Jill, and raising Thing One (Ethan, 3) and Thing Two (Asher, 1).  He writes over at Living in the Tension (sporadically, due to the demands of the aforementioned Things) where he wrestles with everything from faith to family to philosophy, and does it all through the lens of what it means to be a follower of Christ in his life, his work and his family. He’s thirty-smhershmer years old, still loves punk rock and has famously never turned down a rice-krispies treat. Blog: lukelivingthetension // Twitter: @lukeharms

<< Also remember that if you want to link up your reflections on The Prophetic Imagination, you can do so HERE. >>

Week With Walter: D.L. Mayfield

Ah, D.L. Mayfield. I read her words and ache at the goodness. She moves me with honest descriptions of life as we live it and the life underneath that often goes undetected, unarticulated. But when she writes what she sees my eyes open – often with tears. She reports from the edges of marginal communities with eloquence, empathy and personal vulnerability. In my dreams – I write like her. Totally true. Finding her this year ranks as a top blessing. What a talent, what a delight, what a friend. So honored to host her today.

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Finding Doxologies at the Edges of the Empire

“Energy comes from the embrace of the inscrutable darkness.” —WB, The Prophetic Imagination

When people talk about doxology, my eyes glaze over. I know it should mean something to me. But I must not have been paying attention the day in Bible college when they went over it. Those days back in the classroom now seem quaint, of another time. I worried about papers, getting coffee, if so-and-so liked me back, paying tuition. Now, in the thick of life, living in the mean and beautiful streets of urban America, I have been having a hard time remembering all those expensive theological words. And what I learned sititng in my classes, my small mustard-yellow Bible opened in expectation in front of me, is so different from what I have learned here on the ground. Now, sometimes I wonder about the practicalities of singing our most basic and core beliefs about God—belting them right into the air—when the world is such a terrible, awful place.

I am trying to believe. Last week I went to a global worship service, I sat down in the pews and waited to be moved. My baby was with me, and she clapped to the drums. My husband was with me, and he looked both bemused and slightly worried as the tears ran fast down my face, as I knew they would. But who can say why I was really crying? I learned this trait from my mother, the one who would cry both at what was beautiful and what was so heartbreakingly bad; she saw God in all of it. At the global worship service I saw people from all over Africa, Asia, Europe, the east, the west, and all in-between—singing their songs of survival. They were a testament against what we are trained to believe every day, the relentless belief that God is with the safe and the successful.  Choir after choir, they sang the doxology in words I didn’t understand. The stories swam over me, brought to life from my friends from each culture who had lived it and shared pieces with me—the histories, the troubles, the conflicts and the triumphs of survival. People who had previously been at war with each other, singing songs of praise. People who had experienced every evil the world had to offer, were singing to me about the goodness of God. Of course I wept, palms reaching up. I accepted their gospel, received every non-native word.

Brueggemann would say this is embracing the pathos. The crazy, the evil, the wildness of it all. It has taken me awhile to get here, but I just keep walking forward. It started with that wide-open Bible all those years ago, when I learned it had precious few words for people like me—privileged, happy, frivolous, distracted as all-get out. But it did talk a lot about the poor, the captives, the sick, the bound, the powerless. And from everything I gathered, this was the group that God was expressly for. I certainly didn’t fit in that category, so I set off to find them, tripping into a life characterized somewhat euphemistically as one of “downward mobility”. All I knew were the very real dangers of the numbness of consumerism, safety and success. I didn’t know it then, but I was on a quest for pain, and conversely, grief. I had to make a conscious decision to surround myself with the very pathos our empire pretends isn’t a reality.

And I found it, all right. Stories of suffering, sickness, imprisonment, oppression, homelessness, insecurity, and hunger, all right behind the surface, waiting to be heard. But most of all, I discovered stories of loss: of so much death, stared straight in the eyes, that my own heart simply could not comprehend. Nearly every day I sit with my neighbors, refugees and immigrants and folks who grew up in generational poverty in the US, and am told a new tragedy, the losses piling up beyond calculation. I sit, my presence still too new, my body just a fragile, transient, good-intentioned blur. I sit, my words beyond useless.

So I have learned to cry. Resisting the desire to flee or to offer up the stilted patches of my tribe (Peace, peace, where there is no peace), allowing the tears to fall privately, sometimes collectively. I feel the shocks of the world reverberate, now that they are so close to home. Pitching my tent in these communities, those that are less able to gloss over the realities of death and suffering, has caused me to take the good long look at my theology. Ever influenced by the empire, I somehow surrounded myself with people who, as Brueggemann says, “care intensely about God, but uncritically, so that the God of well-being and social order is not understood to be precisely the source of societal oppression”. I have bought into these ways of thinking, because the empire has been so kind to me. For the majority of the world, however, this is not the case, and they have a clearer picture of the both the reign and promises of God as a result. Those of us who are full, rushing headlong into pursuits of life, liberty, and the promise of happiness that slips like water through our fingers, we know what Brueggemann means when he writes  “happiness characterized by satiation is not the same as the joy of freedom.”

Right now the tears don’t feel like enough. They feel small and insignificant and powerless to stop any violence, to bear witness to another reality. But I keep crying, because what else am I supposed to do? I have tried to replace the tears with platitudes, or conversely with anger and indignation. I have fallen into the opposite traps of critiquing the empire without giving any way of hope, and I have also clung desperately to a gospel of personal safety and security when so many of my brothers and sisters have none.

This is all I have right now. The prophet-as-a-hot-mess situation. Up to my eyeballs in the reality of life in the margins of the empire. And I believe the tears are the first step to peace, even as I don’t understand it. So I choose to sit in a musty old church and listen to people sing words I don’t fully understand. I don’t know how people buffeted by the waves of evil can sing about the glories of God; but it means something more, coming from the poor and powerless, my friends and neighbors. This new social community is carrying me away with their songs, pointing me to what I already knew: that there is no way I can generate hope for myself, my family, or my neighborhood. But already I can feel the despair being transformed; through my tears I feel a hope being given to me, just through a song.

danielle_almostDoneD. L. Mayfield lives in the exotic Midwest with her husband and daughter. Recently they joined a Christian order amongst the poor, where they are currently seeking life in the upside kingdom. She likes to write about refugees, theology, gentrification, and Oprah. Mayfield has written for McSweeneys, Geez, Curator,and Conspire! among others.

Blog: dlmayfield.wordpress.com

Twitter: d_l_mayfield

 

 

Please leave some comments on the achingly good words offered by D.L.Mayfield.

And…

Link-Up your responses, too! (And please make some time to read/comment on others so we get the conversation moving! Remember – there is a giveaway and all conversationalists are eligible…)

Week With Walter: Russ Graeff

Russ and I met in college – in Freshmen Composition, to be exact. Smart, witty, kind – he stood out in a quiet way that I admired. I remember him always thinking, often writing.    20+ years later, at The Justice Conference, we reconnected. We met up over cups of hot coffee sharing how we each forged connections with East Africa, ended up in ministry work and winded our way to a conference listening to Walter Brueggemann all these years later. Sometimes friendships continue to surprise us! Russ is now an executive pastor of a large church, and so I invited him to share his response to reading The Prophetic Imagination as one about the daily business of pastoring. 

week with walter_1

“The preacher must remember that when the congregation (or some part of it) is deeply and convincedly embedded in the dominant narrative, prophetic preaching that advocates the counter-narrative sounds like unbearable non-sense.”

This seems to be the resounding ah-ha for my personal interaction with The Practice of Prophetic Imagination as it has helped me reform, reframe and understand an experience I had from the pulpit a few years ago, which to this point, I have only partially reconciled.

I remember delivering the concepts of The Advent Conspiracy to our congregation in a sermon 3 years ago. In my narrative, the tenants were so logical and Biblical: Worship Fully, Spend Less, Give More, Love All. Shouldn’t these things be the central ideas of our celebration of the Advent of the Son of Man? Shouldn’t a call to celebrate Christmas as a act of worship, more clearly focused on Jesus, and to demonstrate elaborate acts of love to all, be well received by God’s people?

Not barely a whisper after the closing Amen of our gathering had resonated from our walls and I began to receive hate mail.

“Are you saying we shouldn’t exchange nice gifts?” “How dare you ruin and challenge my family traditions!” “You’re (sic) message is messed up. I can’t simultaneously spend less AND give more.” “I think you’re right. But I can’t do what you’re asking. My mother in law will kill me.”

I had challenged the dominant narratives of elaborate and consumeristic gift giving, and the unhealthy belief that Christmas is all about family. I left a little room for Santa Claus, but many thought I had crucified the jolly elf. And clearly, there would be no chestnuts roasting on open fires and stockings hung by the chimney with care had been incinerated. The blow back was serious!

I severely underestimated the power of the dominant narrative to which many in my congregation subscribed. I had indeed spoken “unbearable nonsense”. It’s entirely possible that my communication was not entirely clear since, unlike Jeremiah, I hadn’t received dictation from YHWH, but conveyed concepts which I knew to be honoring to The Lord. I had challenged long standing traditions and values to which many were yet unprepared to relinquish.

While reframing our understandings of Advent and our engagements with Christmas as believers is important, we have other huge issues in our days as well. I need not list them here as I’m confident these invade your prayer life already. Sadly, I fear that my grandchildren’s grandchildren will be owed an apology as a result of our deafness to our modern day imaginative prophetic poets.

Mildly, though, in our defense, I’m asking who are the poets we should attune our ears? The sheer number of voices in the common narrative and frankly counter narratives, is overwhelming! Do our poets speak in 140 character tweets? Or did our modern prophetic voices, like our beloved Brueggemann, write in 1973, but we’ve been conditioned to only consider the new and improved? Should we listen to the ideas of the musician, the artist, the scientist, or our neighbor?

It is very easy in our techno-centric society to create a voice, and a loud one at that! Some of the loudest voices within and outside the Christian subculture need to be muted and other meek, humble, and quiet voices need amplification; or more rightly, we need to learn to listen to those still small voices in this wilderness.

The call to be prophetic in our imaginations is the recognition that God always leads us forward in our relationship with Him. He does not leave us and the One who spoke creation into existence, is speaking still.

RussRuss Graeff is currently the Executive Pastor at Bridgeway Christian Church in Rocklin, CA. He has been a husband to Cindy for 21 years & a father to Ashley for 12. He serves on the board of Yaaka Afrika, an organization that champions the needs of children in Uganda. He’s also served on the board of Courage Worldwide, an organization fighting for the victims of sex trafficking & exploitation & restoring their identity as valued children of God with a purpose. In his free time, he enjoys cycling, triathlons & his terriers Fritz & Brooke.

Ending April, Beginning May (#transitlounge)

We’ve arrived at the end of April. The final pages of The Prophetic Imagination taken in, maybe still sinking into deep pockets in our quenched spirits and pondering souls. Finishing a Brueggemann books always leaves me a bit breathless – equipped with a stronger vocabulary, culled out by the scalpel of Scripture in undeniably tender ways, exhilarated with possibilities and chock full of hope.

The Prophetic Imagination remains Walter Brueggemann’s magnum opus – words leaping off the page like a fish run bright with energy, life and upstream velocity. The ideas and imagination will spawn generations of prophetic motion – or at least I feel that deep potential as I read every word.

This wasn’t my first time engaging this text and these thoughts, yet these few weeks the siren call summoned me with greater urgency than before. Maybe I’ve lived more parched than I realized, so the prophetic charge offered nourishment to dry places. Could be my ever-maturing mind (and body) understood more, possessing more experience to integrate with ideas of prophetic criticism and energy. Maybe it’s that now, more than ever, I’ve tasted of the heavy, hard work of hope he writes of. All I can say with certainty – this reading struck deep resonance with in page after page. His words and my life converged somehow; let’s just call it the Spirit at work.

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How has this read affected you? That’s what I want to know!

The twitter feed for #transitlounge lit up with quotes, questions and connections this month. My sense – Brueggemann’s words ignited your imaginations, too. My hope – the Spirit stirred holy things in you. So this is the week we’ll share together how we’ve been challenged, troubled, reminded, invited by the likes of Jeremiah, Isaiah and Jesus. Oh, and Walter!

week with walter_1

I couldn’t host a one-day link up for this book. I just felt too much happening among us to confine conversation to a single day. So I decided to host a week of extended reflection on the words of Walter Brueggemann – a Week With Walter. Each day there will be a new guest post moving our conversation forward. There will be a link-up, an open invitation for everyone to contribute. There’s a week to read our responses, comment and let these ideas land in fertile soil among us.

  • Monday – Friday : Guest posts each morning.
  • Tuesday : Link-up your posts.
  • Saturday : Giveaway!!!

Yes, this month there’s going to be a Giveaway. I want to share one of my favorite Walter Brueggemann resources with you, one that’s nourished me through 18 months of Sunday morning reading. For those who participate in the conversation there’s a chance to win The Collected Sermons of Walter Brueggemann. This volume represents the best example of how his scholarship and theology live in the pulpit, in the compact form of the common sermon.

Here’s how to be eligible:

  • Link up a post this week
  • Comment on others posts
  • Comment on Guest posts on my site this week

For each link up or comment, I’ll enter your name in the… basket, bucket, bowl (still working out some details here!). So the more you engage in the conversation across our various blogs, the better the odds I could pick your name from (vessel to be determined later)! Winner will be announced on Saturday.

As for May,  we will be reading Colossians Remixed: Subverting the Empire by Brian Walsh & Sylvia Keesmaat. I’ve heard many thought leaders reference this book in lectures and bibliographies, including Brian McLaren, Shane Claiborne, Rob Bell.

But what sealed the deal for me, as if often the case, is friends who gave a first-hand witness to the kind of person Brian Walsh is when you share a vacation home with his family. My South African sister joined her Latin American sister for a visit at the same time the Walsh family scheduled a visit. She told me of legendary conversations around the table, kindness and thoughtfulness that lasted the duration of their days together. My friends made it clear – this is a person with great things to share, things borne out in his own life. I’m eager to read someone who walks his talk!

(How often do books come to us by these personal connections… just like good friends.)

So as it is April 28 (my own Adoption Day, by the way), it would be good to get a copy of the book soon so you’re ready for May in the #transitlounge!

 

Looking forward to our Week With Walter in the #transitlounge!

 

War Photographer: Tandem Stories

[Photo Credit: Ellen Olive Photography]

[Photo Credit: Ellen Olive Photography]

While I haven’t birthed my children, I’ve birthed their stories. In the early days our adoption tale felt legendary, laced with Spirit-whispered promises and just in a nick of time departures and a medical miracle for good measure. To tell these stories was to tell my story of deep formation during the adoptive arc, revealing my eventual status as an accidental mother of two Burundian babies only possible in the imagination of God.

I had to tell these stories of how God created a mother ex nihilo, how God healed a baby found on hospice watch, how an adopted child became an adoptive parent. These came from my own belly.

I beamed as I held my browned babies, as I held my glowing stories. Speaking them out was the most natural thing to do, testifying to a great goodness done unto us.

But as my children learned to feed themselves raspberries, turn on lights, unlock doors and move from me at increasing speeds my sense of things changed. They were growing up and already moving away from me, starting that long process of differentiation. I knew they wouldn’t always be mine to corral and control. And neither would their stories.

Before we even celebrated our first Adoption Day together I began holding their stories closer, giving fewer details about how they were orphaned and then brought home. I spoke less of my daughter’s former illness, lest I surrender too much to strangers before she could comprehend her own healing. I began wondering if I’d already given too much away.

I realized that telling our children’s stories is a complex endeavor because they are also our stories. At what point along the umbilical cord does mother diminish and child increase, mother ending and child becoming a separate individual with a unique story? I found it worthwhile to consider where my story ends and theirs begins.

D.L.Mayfield is hosting a series on War Photographers over at her place. The rest of my reflections on writing about our children can be found here.